[ENG DUB] Baada ya Talaka, Majuto ya Mwalimu Ford

• Billionaire
• Marriage
• Romance
• Twisted

• Ep. 1
  In a desperate attempt to save her father's failing business and pay his mounting medical bills, Calliope Simmons is coerced by her stepmother into marrying Preston Ford, a wealthy heir who now lies in a vegetative state due to a tragic car accident. As the once-wealthy young lady of the Simmons Corporation, Calliope's life takes a drastic turn as she becomes entangled in the Ford family's chaos. With her brother Winston searching for her, fearing the consequences of her impending marriage to a comatose man, Calliope finds herself at the mercy of the Ford family's schemes. Amidst the turmoil, Belinda, Calliope's sister, seems to have an ulterior motive, hinting at a secret affair with Winston and urging him to comfort Calliope before she rejects the marriage. As the Ford family exerts their control over the situation, insisting that the marriage is not Calliope's decision to make, a mysterious figure reports finding Calliope, hinting at a plan for revenge. The bride is welcomed amidst a backdrop of trials and geneticism, with the shocking requirement that she must become pregnant during the trial. As the plot thickens, the traveler's scattered presence across the United States estate adds an enigmatic layer to the story, leaving Calliope to navigate the treacherous waters of the Ford family's intentions and her own fate.
• Ep. 2
  In the opening scene, Calliope Simmons, now married to the vegetative Preston Ford, is confronted by her ex-lover Winston, who attempts to convince her to elope with him. Winston reveals his plan to inherit Preston's wealth upon his death and run away with Calliope. Despite Winston's pleas, Calliope resists, insisting on her loyalty to her new husband. The tension escalates as Calliope's loyalty is tested, and Winston's desperation grows. The plot takes a dramatic turn when Preston unexpectedly awakens from his coma, catching both Calliope and Winston off guard. This sudden development leaves the future of the Simmons and Ford families hanging in the balance, as Calliope must now navigate the complex web of deceit, loyalty, and newfound hope for her husband's recovery.
• Ep. 3
  In the midst of financial turmoil, Calliope Simmons is coerced into marrying Preston Ford, a vegetative heir to the wealthy Ford family, in order to pay for her father's medical bills. As she navigates her new life, a shocking twist occurs when Preston unexpectedly awakens from his coma, as indicated by the disbelief and urgency in the line "Preston Ford is awake. How could that be?" The family's reactions range from skepticism, as seen in the nurse's comment, "Ma'am, he often opens his eyes like this, but he doesn't wake up," to fear and strategic maneuvering, as Calliope's stepmother-in-law pressures her to have a child with Preston, suggesting a deeper motive beyond concern for the family line. The tension is palpable, with characters like Winston, who seems to have ulterior motives, as hinted by the line, "Preston Ford, if you don't want to see Winston get his way, then wake up." The plot thickens as the family dynamics are further complicated by Preston's awakening, and the series title "STUNDALE" foreshadows a dramatic unfolding of events.
• Ep. 4
  In the opening scene, Calliope Simmons, a once-privileged young woman now facing financial ruin, is confronted by her stepmother with a desperate proposal. With her father hospitalized due to the family business's collapse, Calliope is pressured to marry Preston Ford, a wealthy but vegetative man, to secure his inheritance. The stepmother, driven by greed, suggests using in-vitro fertilization (IVF) to ensure the birth of an heir, despite Calliope's objections and her commitment to her college education. The dialogue reveals the family's moral bankruptcy and Calliope's internal conflict, as she is torn between her duty to her ailing father and her own aspirations. The stepmother's promise of wealth and coverage for her father's medical expenses sway Calliope, leading her to reluctantly agree to the IVF process. However, the introduction of a mysterious figure, who warns Calliope against marrying into the Ford family and implies a darker scheme at play, adds a layer of intrigue and danger to her already complicated situation. This figure's revelation of a potential inheritance once Preston passes away and the promise of marriage to Calliope if she refrains from having his child introduce a moral dilemma and a potential love interest, complicating her decision further. The episode ends with a heated confrontation, leaving Calliope's fate and the future of the Ford family's legacy hanging in the balance.
• Ep. 5
  In the opening scene, Calliope Simmons, once a privileged young lady from the Simmons Corporation, now faces a life of poverty as her family's business teeters on the brink of collapse. Her father's hospitalization due to a devastating stroke leaves her desperate for funds. Under the coercion of her stepmother, Calliope is forced into a marriage with Preston Ford, a wealthy heir who has been in a vegetative state following a tragic car accident. As she enters the Ford family's tumultuous world, she must navigate the complexities of her new life and the challenges it presents. The episode unfolds with a series of dramatic confrontations and revelations. Preston Ford's unexpected awakening from his coma sends shockwaves through the family, as seen in the subtitles with lines like "He... he's awake" and "Speak," indicating a moment of tension and disbelief. The family's reaction to his recovery is a mix of joy and apprehension, as expressed in "It's a miracle" and "Son, I knew that you would wake up one day. God bless." Preston's confusion and disorientation are evident in his struggle to speak and identify those around him, as seen in "Who are you?" and "I... I... I... you...". The family's attempt to explain Calliope's presence in his life, revealed in "Sir, Madam found you a wife while you were in a coma," adds another layer of complexity to the story, as Preston's response "Get lost" shows his initial rejection of this new reality. The episode is filled with emotional turmoil, as seen in the fragmented and disjointed dialogue, suggesting a sense of chaos and the characters' struggle to come to terms with the sudden changes in their lives. The final lines, "Do ya know yourself?" and "No, Roger. Yeah? Enough~!" encapsulate the theme of self-discovery and the breaking point of emotional stress, setting the stage for the dramatic events to follow in the series.

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